Guest Blob by Guillermo Ramon: Dynamic Systems & Psychology

GuillermoRamonWhen I started looking for solutions to systems in which variables have multiple relations, I found that there had been several thinkers who looked at these types of problems using diverse mathematical perspectives. Most of these perspectives were based on statistics and stochastic analysis. Some tried to fit complex models to differential equations. Others, looked at fractals. All the approaches were interesting, but none seemed right.

For a while, I was one of the first members of the Society for Chaos Theory in Psychology and Life Sciences, but soon I felt disappointed at the approach taken by the mainstream academicians and theorists in the field. First, I felt that most of the literature in dynamic systems was focused on creating mathematical terms that were useless outside of mathematics. For instance, attractors are pieces of space that when an object enters, a substantial force is needed to make the object leave. Bifurcations are defined as patterns of instability. Fractals are just seen as geometrical forms. Second, the dynamic systems theorists have attempted to use statistics and stochastic analysis as a tool for analysis of dynamic systems. However, statistics are not really tools to determine causality, or even sequentiality. Statistics tell us if different samples share the same variance, giving a high probability that they belong to the same sample or population.

Dynamic systems describe complex processes. Therefore, the mathematical elements I use as tools for dynamic system analysis are: systems, sets, functions, loops, groups of loops, and fractals. Since I believe dynamic systems is the form of mathematics best describes thinking processes, I have created my own concepts that relate directly to human development and to the thinking process. I define frameworks, functions, and operators as they apply to human development, developmental psychology, organic systems, and the way mental processes are structured.

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Creativity Defined by Artists

FItopCreativity is a defining point of who artists are. It is a defining point of their personality, a defining point of how they view the world, how they act within it, how they respond to it, and their importance to it. Unsurprisingly then, artists contemplate creativity. They wonder what exactly it is, and they come to an answer of that question because being without an answer is to have no knowledge of self. For artists, creativity is Self, and many if not most artists feel that to have no knowledge of self at all would be harmful to their art for one’s art is the expression of one’s Self. Each time an artist engages in her or his art they are engaging in self understanding. Artists can and do consider their art as defining expressions of themselves, of things they want to “say,” of things they have felt to be important and what to share through the expression of art. Artists speak of their art as actions. The fine artist will say “I do oil and acrylic” or “I do watercolor”; or “I do cityscapes”; “I do flowers.” Actors when imitating someone for an audience say they are “doing” a certain president; or “doing the butterfly at rest”; or “doing a transition between” one emotional state and another. Musicians, too, tend to say “I do…” and then list and describe their music. Artists might change the verb do for another action verb: “I photograph babies”; “I paint flowers”; “I play sax,” but there is no mistaking the doing of the art. Artists feel that they not only do their art they live it as well. Their art, their creativity, is completely bound up with who they are. Why do fine artists paint, dancers dance, writers write? For artists the ultimate and unarguable answer is because they must.

“Why do you dance, sing, act, paint?” artists are often asked because of the struggles they endure to make a living in their arts.

“Why do I breathe?” a dancer once answered, and every artist felt, “Yes, that’s exactly it!”

People so completely attached to their vocation are going to have deep and serious thoughts about it. No other type of demographic is going to be so intimately concerned with creativity nor even, according to artists, have as much authority on the subject as artists do. The Storycrafter Studio Intellectual Discussion Meetup for March 16 at 8:15 pm, will be a discussion of creativity, its nature, components, and processes, from the perspective of artists. Artists of all types are encouraged to attend and add to the discussion.

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Sexism, Stop It

Regarding Weinstein and Trump’s sexual harassment of women and the huge volume of Metoo’s that have appeared, it is clear that sexual harassment (and worse) of women in particular that the problem is pervasive. I think it part of a larger attitude towards women that is reflected in things like only 17% of plays produced in the US are directed or written by a woman; that South Florida’s Carbonells for directing, new play, and overall production, are rarely awarded to women; that the vast majority of the artistic directors of Miami are men; that the romance genre of books is still considered pretty much garbage although 50% of fiction sales of romances; that Hollywood TV producers were sued in a huge class action suit for discriminating against women, and they lost the lawsuit. Surveys of reviews of plays and books by women reveal that reviews of works by women are, shall we say, less laudatory than those by men. Not only are the stories that women enjoy considered of lessor import, but the way women tell stories is often, wrongly, considered of less quality. In the music world, only when blind auditions became the norm were women musicians finally hired on an equal basis with most orchestras today have equal numbers of men and women musicians, while in composing where the gender of the musician is known, the number of women composers whose works are chosen are still in the minority.

When for the first time a competent, honest, well prepared woman ran for the US president, the news, including and especially the New York Times focused on a false attack about her using a private email account (like all her predecessors did) and like the current incumbents do, rather than reporting on her record and the issues of the day. Indeed, just her running for president sent many, women and men, into a rage. So, men, when you turn down a role in a play written by a woman thinking it doesn’t have enough “meat,” does that mean it does not have men shooting guns and screaming, or that the man’s role is supporting to the women’s roles and you think that shouldn’t be? When a man says a play about sacrifice is unimportant and who cares about that even though a major religion’s central message is the importance of sacrifice, aren’t you showing the same underlying contemptuous attitude toward women as the extremes of Trump and Weinstein are? So, women when you consistently choose to be on boards of the theaters that have men as artistic directors and go along without a boo with a theaters that have men artistic directors, men directors, and men playwrights, and roles that feature men both in numbers of roles and the importance of the roles, aren’t you also showing the same underlying contempt of women? When the majority of uneducated white women voted for Trump aren’t they showing the same underlying contempt?

As women still tend to be the primary caregivers of children, then why do so many children grow up to have these bad attitudes toward women? We all have a lot of work to do to “raise our consciousness” as we used to say. However, since men hold most positions of power, since men receive more respect for anything and everything they do, they have a greater responsibility to look at their own unconscious attitudes and correct them. Even men who love women in general, respect women in general should ask themselves if they have a habit of interrupting women, prefer creative works by men than women, feel secretly relieved they make more money than their wives or girlfriends, and if they do any one of these things, stop it. Women who routinely defer to men’s opinions, fall silent when men interrupt them, and choose men to run things when a competent, honest, and perhaps of-greater-intelligence-or-talent women is available, stop it.

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Terror and Exhilaration

Terror and exhilaration consume you when you are about to launch a book. These emotions can be so extreme that they can easily trick you into procrastination through the guise and excuse of “I’m learning to market.” Right now I am learning to market, and so I bought Write to Market: Deliver a Book That Sells. This book was helpful in quelling some of my terror because I found that yes, my new fantasy series The Saga of the Dragon Born is still a hot category. It also has prevented me from making a huge mistake: writing the wrong sort of blurb. Readers are loving capable, kick-ass female characters. Now my new book Foreshadow: Book One of the Saga of the Dragon Born has exactly that sort of character, and the members of my writing group tell me they like her the best of my main characters. So I have to showcase feisty Burta in my blurb about my book, not gentle, sweet natured Tristabé-airta. Great stuff, to learn, huh? I think I need a least a week or two to suck all the marrow out of Writing to Market. I’ve bought another of Chris Fox’s books, Write to Launch. I expect that will be good for another few weeks of researching how to market. Don’t think I’m procrastinating though. I’m learning important lessons, and I’ll get Foreshadow up on Kindle soon, after learning to market, in a few weeks, not to long from now, when terror of not having put it up there on Amazon already sets me to leaping out of bed shrieking that I’m wasting my life. Okay, okay, I’ll research faster and publish the book very soon.

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Editing Films of Stage Plays

Have you ever edited a film? I’ve been teaching myself to edit by editing the films we taken of our plays. Right now, I have finished editing ”Belisa and Don Perloba in the Moonlit Garden.”


However,  getting the sound track in good shape is tricky, so Guillermo (my husband and cohort in art) who studied film and engineering in college is working on the sound for me. While he does that, I am editing Flesh and Blooders, a dark comedy of magical realism.


I’m very excited to get these projects up on Youtube and on our site,

These aren’t my only projects. I’m choosing plays to direct for the rest of this year, and have found short plays for an evening of short plays. Let me tell you, Miami is full of talent. These plays, all by local playwrights are superb. I am also a novelist, and currently my fantasy saga, The Contending, is posted at Kindle Scout for reader nominations. Kindle Scout is a program Amazon uses to find novels to publish. They offer a really good publishing contract. Cross your fingers for me! And please nominate The Contending. If it is awarded a contract, all the nominators receive the ebook free.



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